{"id":868,"date":"2026-07-16T15:20:52","date_gmt":"2026-07-16T15:20:52","guid":{"rendered":"https:\/\/foitou.com\/?p=868"},"modified":"2026-09-24T12:53:43","modified_gmt":"2026-09-24T12:53:43","slug":"text-by-curator-louisa-karapidaki-on-the-exhibition-entitled-from-body-to-body","status":"publish","type":"post","link":"https:\/\/foitou.com\/fr\/text-by-curator-louisa-karapidaki-on-the-exhibition-entitled-from-body-to-body\/","title":{"rendered":"Texte de la curatrice Louisa Karapidaki sur l'exposition intitul\u00e9e De corps \u00e0 corps"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"868\" class=\"elementor elementor-868\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7e74ccf3 e-flex e-con-boxed e-con e-parent\" data-id=\"7e74ccf3\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-193635a6 e-con-full e-flex elementor-invisible e-con e-child\" data-id=\"193635a6\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeInUp&quot;,&quot;animation_delay&quot;:0,&quot;_ha_eqh_enable&quot;:false}\">\n\t\t<div class=\"elementor-element elementor-element-2fac35fc e-con-full e-flex e-con e-child\" data-id=\"2fac35fc\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-50500a09 elementor-widget-tablet__width-initial elementor-widget__width-initial elementor-widget elementor-widget-elementskit-heading\" data-id=\"50500a09\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"elementskit-heading.default\">\n\t\t\t\t\t<div class=\"ekit-wid-con\" ><div class=\"ekit-heading elementskit-section-title-wraper text_left   ekit_heading_tablet-   ekit_heading_mobile-\"><h2 class=\"ekit-heading--title elementskit-section-title\">Texte de la curatrice Louisa Karapidaki sur l'exposition intitul\u00e9e De corps \u00e0 corps <\/h2><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-36431ccd elementor-icon-list--layout-inline elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"36431ccd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items elementor-inline-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-inline-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-calendar-alt\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M148 288h-40c-6.6 0-12-5.4-12-12v-40c0-6.6 5.4-12 12-12h40c6.6 0 12 5.4 12 12v40c0 6.6-5.4 12-12 12zm108-12v-40c0-6.6-5.4-12-12-12h-40c-6.6 0-12 5.4-12 12v40c0 6.6 5.4 12 12 12h40c6.6 0 12-5.4 12-12zm96 0v-40c0-6.6-5.4-12-12-12h-40c-6.6 0-12 5.4-12 12v40c0 6.6 5.4 12 12 12h40c6.6 0 12-5.4 12-12zm-96 96v-40c0-6.6-5.4-12-12-12h-40c-6.6 0-12 5.4-12 12v40c0 6.6 5.4 12 12 12h40c6.6 0 12-5.4 12-12zm-96 0v-40c0-6.6-5.4-12-12-12h-40c-6.6 0-12 5.4-12 12v40c0 6.6 5.4 12 12 12h40c6.6 0 12-5.4 12-12zm192 0v-40c0-6.6-5.4-12-12-12h-40c-6.6 0-12 5.4-12 12v40c0 6.6 5.4 12 12 12h40c6.6 0 12-5.4 12-12zm96-260v352c0 26.5-21.5 48-48 48H48c-26.5 0-48-21.5-48-48V112c0-26.5 21.5-48 48-48h48V12c0-6.6 5.4-12 12-12h40c6.6 0 12 5.4 12 12v52h128V12c0-6.6 5.4-12 12-12h40c6.6 0 12 5.4 12 12v52h48c26.5 0 48 21.5 48 48zm-48 346V160H48v298c0 3.3 2.7 6 6 6h340c3.3 0 6-2.7 6-6z\"><\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">February 20, 2018<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d677021 e-flex e-con-boxed elementor-invisible e-con e-child\" data-id=\"d677021\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;animation&quot;:&quot;fadeInUp&quot;,&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-46a5155 e-con-full e-flex elementor-invisible e-con e-child\" data-id=\"46a5155\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;fadeInUp&quot;,&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1c156a73 elementor-widget elementor-widget-text-editor\" data-id=\"1c156a73\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>Christina Foitou<\/strong>, centr\u00e9e sur la psych\u00e9 f\u00e9minine, transpose sur la toile toute la palette \u00e9motionnelle de la femme. Par une \u00e9criture expressionniste intense, elle esquisse les \u00e9motions, les peines et les douleurs, les angoisses et les attentes, les joies et les plaisirs, composant ainsi le temp\u00e9rament et l'exp\u00e9rience v\u00e9cue de la femme moderne.<br \/>Elle illustre avec \u00e9loquence les exp\u00e9riences \u00e9motionnelles contraires de la femme, s'exprimant tant\u00f4t avec tendresse, tant\u00f4t avec cynisme, de fa\u00e7on parfois vive, parfois suggestive. Sa physionomie artistique est aujourd'hui reconnaissable et se caract\u00e9rise par des images fragmentaires qui se muent en r\u00e9cits solides et fluides dans un geste fascinant. Ses \u0153uvres, d'une intensit\u00e9 \u00e9vidente, d'une exub\u00e9rance picturale et d'une complexit\u00e9 synth\u00e9tique, apparaissent comme des images fugaces en mouvement, charg\u00e9es d'\u00e9nergie et parfois d'explosivit\u00e9. La plasticit\u00e9 morphique de la surface picturale renvoie \u00e0 des instants captur\u00e9s lors de performances \u2014 elle donne l'impression d'appartenir \u00e0 une action sc\u00e9nique v\u00e9cue qui se poursuivrait perp\u00e9tuellement. Il s'agit fondamentalement d'un emprunt esth\u00e9tique l\u00e9gitime, puisque l'artiste est \u00e9galement active dans cette forme d'art, o\u00f9 cette mobilit\u00e9 intense vient nourrir et fa\u00e7onner son langage plastique.<\/p><p><strong>Focusing on traumatic stories,<\/strong> Foitou fait r\u00e9f\u00e9rence \u00e0 des concepts tels que l'exclusion sociale, l'isolement, la coercition, l'humiliation, l'abus ou l'oppression. Ses \u0153uvres r\u00e9sonnent comme une protestation claire face aux \u00e9preuves travers\u00e9es, de mani\u00e8re visible ou sournoise, par les femmes de notre \u00e9poque.\n\nDans ses repr\u00e9sentations, elle int\u00e8gre des symboles conceptuels et des images embl\u00e9matiques : le ruban \u00e0 \u00e9pines pour traduire la douleur, la burqa pour l'enfermement et l'isolement, le masque pour le silence impos\u00e9 face aux violences, ou encore des insectes \u2014 intrus insidieux venant figurer l'usure constante provoqu\u00e9e par l'intimidation permanente et la domination.\n\nElle transporte \u00e9galement dans sa peinture d'autres th\u00e8mes issus de la psych\u00e9 f\u00e9minine et de son v\u00e9cu personnel, cette fois autour de la maternit\u00e9. Elle y d\u00e9peint un m\u00e9lange complexe d'\u00e9motions : inqui\u00e9tudes, joies, deuil, culpabilit\u00e9, vides affectifs et adieux douloureux, comme elle le note \u00e0 propos de l'\u0153uvre *Wishnesses* :\n\n&gt; \u00ab O\u00f9 est mon b\u00e9b\u00e9 ? L'abdomen s'est vid\u00e9, l'\u00e9treinte reste vide. Le d\u00e9sespoir. Je te cherche et te recherche dans ce tourbillon de difficult\u00e9s qui t'a vu na\u00eetre. J'essaie de te toucher, mais tu t'\u00e9loignes. J'avais fait le r\u00eave de la perte. \u00bb<br \/>At the same time, although it systematically focuses on female anguish, it does not fail to refer sensitively to the greatness of the woman, to her multifarious personality, to the strength, beauty, the perseverance and tenderness of motherhood.<\/p><p>Il y a pourtant de nombreux messages d'espoir port\u00e9s par des r\u00e9f\u00e9rences picturales indirectes, telles que ces \u00ab \u00e2mes \u00bb et ces papillons qui se m\u00e9tamorphosent, s'envolent, se lib\u00e8rent et ouvrent une voie d'\u00e9chappatoire face \u00e0 la duret\u00e9 du quotidien et \u00e0 l'impasse \u00e9motionnelle, insufflant un optimisme vers un avenir haut en couleur, bien loin d'un pr\u00e9sent sombre et terne.\n\n\u00c0 propos de son \u0153uvre *Le R\u00eave*, elle \u00e9crit d'ailleurs dans ses notes avec beaucoup de justesse :\n\n&gt; \u00ab Enfant. Facile \u00e0 \u00eatre, ou inatteignable ? Que se passe-t-il lorsque l'entr\u00e9e sur le chemin de l'enfance n'est pas si insouciante ? Quand on est appel\u00e9 \u00e0 faire face aux difficult\u00e9s, aux impasses, aux m\u00e9decins, \u00e0 la souffrance, aux angoisses, \u00e0 l'ins\u00e9curit\u00e9. Quand \u00eatre diff\u00e9rent n'est pas toujours attrayant et qu'il faut se battre pour pr\u00e9server son statut, oui, ce statut d'enfant !\n&gt; La jeune fille est allong\u00e9e, elle dort ? Ses compagnons reposent pr\u00e8s d'elle. Son arsenal, qui l'a soutenue, l'a aid\u00e9e tout en lui compliquant la t\u00e2che, l'a parfois isol\u00e9e tout en suscitant remarques et moqueries. Elle r\u00eave, elle navigue dans un monde itin\u00e9rant o\u00f9 tout est serein. L'est-ce vraiment ? Elle devient papillon, belle, libre, insouciante, mais tout aussi \u00e9ph\u00e9m\u00e8re \u2014 aussi \u00e9ph\u00e9m\u00e8re que l'est cette insouciance. \u00bb<\/p><p>L'artiste \u00e9voque \u00e9galement, de mani\u00e8re non dissimul\u00e9e mais avec une sensibilit\u00e9 et une \u00e9motion esth\u00e9tique toute particuli\u00e8re, les sentiments contradictoires n\u00e9s de la pression sociale exerc\u00e9e pour garantir le \u00ab mariage id\u00e9al \u00bb. Ce r\u00eave tant attendu au fil des si\u00e8cles a simultan\u00e9ment constitu\u00e9 un lourd h\u00e9ritage social pour les femmes, et continue encore souvent de cr\u00e9er une forme de coercition intangible :\n\n&gt; \u00ab Vie de grain de fleur. Une main d'homme et une main de femme. La main masculine touche avec timidit\u00e9, h\u00e9sitation et tendresse la main f\u00e9minine, laissant flotter des interrogations\u2026 Va-t-elle la serrer ? Va-t-il la prot\u00e9ger ? Va-t-il l'abandonner ? La tiendra-t-il avec plus de force ? Je ne sais pas ! L'incertitude. Des foules de femmes vivent encore dans l'attente du prince charmant, dans l'attente de la relation parfaite. Pourquoi ? Pourquoi ? \"Vie fleurie\", nous souhaite-t-on lors des mariages \u2014 un beau v\u0153u, mais peut-il vraiment se r\u00e9aliser ? Les fleurs saignent et les relations se brisent. \u00bb<br \/>In its iconography, the artist allows deformations, degrading and without limits fragmentations of anthropocentric realistic depictions. The dominant role is left to play the impulsively additional intense colors, the mischievously cast around the dominant performance. The reds of the blood, the black of darkness, the yellow of the flame scattered across the surface of the work catch the gaze and cause concern to the viewer.<\/p><p>Avec une audace sans pareille, Foitou aborde de nombreuses probl\u00e9matiques propres \u00e0 la condition f\u00e9minine \u2014 qu'elles soient quotidiennes ou insurmontables \u2014, souvent consid\u00e9r\u00e9es comme taboues. Elle les ext\u00e9riorise, les communique et les d\u00e9pose \u00e0 sa mani\u00e8re, transformant le spectateur en confident de difficult\u00e9s sous-entendues et en t\u00e9moin engag\u00e9 d'une lutte perp\u00e9tuelle et silencieuse.\n\nEn exploitant les vertus cathartiques et bienfaisantes de l'art sur l'\u00eatre humain, elle m\u00e8ne son propre combat de femme afin de sensibiliser un large public et de porter une cause collective. Par une expression esth\u00e9tique forte, elle met en lumi\u00e8re toute la profondeur de la psych\u00e9 f\u00e9minine et diffuse ses messages d'un corps \u00e0 l'autre.<\/p><p>Louisa Karapidaki<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4786b95a elementor-grid-eael-col-4 elementor-grid-tablet-eael-col-2 elementor-grid-mobile-eael-col-1 elementor-widget elementor-widget-eael-post-grid\" data-id=\"4786b95a\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;eael_post_grid_columns&quot;:&quot;eael-col-4&quot;,&quot;eael_post_grid_columns_tablet&quot;:&quot;eael-col-2&quot;,&quot;eael_post_grid_columns_mobile&quot;:&quot;eael-col-1&quot;}\" data-widget_type=\"eael-post-grid.default\">\n\t\t\t\t\t<div id=\"eael-post-grid-4786b95a\" class=\"eael-post-grid-container\">\n            <div class=\"eael-post-grid eael-post-appender eael-post-appender-4786b95a eael-post-grid-style-two\" data-layout-mode=\"masonry\"><article class=\"eael-grid-post  eael-post-grid-column eael-pg-post-1028 category-uncategorized\" data-id=\"1028\">\n    <div class=\"eael-grid-post-holder\">\n        <div class=\"eael-grid-post-holder-inner\"><div class=\"eael-entry-media\"><div class=\"eael-entry-overlay fade-in\"><i class=\"fas fa-long-arrow-alt-right\" aria-hidden=\"true\"><\/i><a href=\"https:\/\/foitou.com\/fr\/fragments-itinerants-dortoir-des-moines-jan-2022\/\"><\/a><\/div><div class=\"eael-entry-thumbnail\">\n                            <img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"210\" src=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/b3f2241ade4e4366e04b5d38284af781-300x210.jpg\" class=\"attachment-medium size-medium wp-image-1084\" alt=\"\" srcset=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/b3f2241ade4e4366e04b5d38284af781-300x210.jpg 300w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/b3f2241ade4e4366e04b5d38284af781-18x12.jpg 18w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/b3f2241ade4e4366e04b5d38284af781-500x349.jpg 500w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/b3f2241ade4e4366e04b5d38284af781.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n                            <\/div>\n                    <\/div><div class=\"eael-entry-wrapper\"><header class=\"eael-entry-header\"><h2 class=\"eael-entry-title\"><a class=\"eael-grid-post-link\" href=\"https:\/\/foitou.com\/fr\/fragments-itinerants-dortoir-des-moines-jan-2022\/\" title=\"FRAGMENTS ITIN\u00c9RANTS \u2013 Dortoir des Moines \u2013 JAN 2022\">FRAGMENTS ITIN\u00c9RANTS \u2013 Dortoir des Moines \u2013 JAN 2022<\/a><\/h2><\/header><div class=\"eael-entry-content\">\n                                <div class=\"eael-grid-post-excerpt\"><p>EXHIBITION ARCHIVE &mdash; SOLO SHOW FRAGMENTS ITIN&Eacute;RANTS Christina Foitou DATES...<\/p><a href=\"https:\/\/foitou.com\/fr\/fragments-itinerants-dortoir-des-moines-jan-2022\/\" class=\"eael-post-elements-readmore-btn\">Read More<\/a><\/div>\n                            <\/div><div class=\"eael-entry-header-after style-two\"><div class=\"eael-entry-meta\"><span class=\"eael-meta-posted-on\"><i class=\"far fa-clock\"><\/i><time datetime=\"septembre 25, 2026\">septembre 25, 2026<\/time><\/span><\/div><\/div><\/div><\/div>\n    <\/div>\n<\/article><article class=\"eael-grid-post  eael-post-grid-column eael-pg-post-947 category-blog\" data-id=\"947\">\n    <div class=\"eael-grid-post-holder\">\n        <div class=\"eael-grid-post-holder-inner\"><div class=\"eael-entry-media\"><div class=\"eael-entry-overlay fade-in\"><i class=\"fas fa-long-arrow-alt-right\" aria-hidden=\"true\"><\/i><a href=\"https:\/\/foitou.com\/fr\/elementor-947\/\"><\/a><\/div><div class=\"eael-entry-thumbnail\">\n                            <img decoding=\"async\" width=\"214\" height=\"300\" src=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-214x300.jpg\" class=\"attachment-medium size-medium wp-image-955\" alt=\"\" srcset=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-214x300.jpg 214w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-732x1024.jpg 732w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-768x1075.jpg 768w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-1097x1536.jpg 1097w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-1463x2048.jpg 1463w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-9x12.jpg 9w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-500x700.jpg 500w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/09\/Afisa-Photo-En-Filigrane-scaled-800x1120.jpg 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                          <\/div><div class=\"eael-entry-header-after style-two\"><div class=\"eael-entry-meta\"><span class=\"eael-meta-posted-on\"><i class=\"far fa-clock\"><\/i><time datetime=\"septembre 22, 2026\">septembre 22, 2026<\/time><\/span><\/div><\/div><\/div><\/div>\n    <\/div>\n<\/article><article class=\"eael-grid-post  eael-post-grid-column eael-pg-post-868 category-blog\" data-id=\"868\">\n    <div class=\"eael-grid-post-holder\">\n        <div class=\"eael-grid-post-holder-inner\"><div class=\"eael-entry-media\"><div class=\"eael-entry-overlay fade-in\"><i class=\"fas fa-long-arrow-alt-right\" aria-hidden=\"true\"><\/i><a href=\"https:\/\/foitou.com\/fr\/text-by-curator-louisa-karapidaki-on-the-exhibition-entitled-from-body-to-body\/\"><\/a><\/div><div class=\"eael-entry-thumbnail\">\n                            <img decoding=\"async\" width=\"248\" height=\"300\" src=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/prsk-\u03c6\u03bf\u03b9\u03c4\u03bf\u03c5-1-768x930-1-248x300.jpg\" class=\"attachment-medium size-medium wp-image-869\" alt=\"\" srcset=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/prsk-\u03c6\u03bf\u03b9\u03c4\u03bf\u03c5-1-768x930-1-248x300.jpg 248w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/prsk-\u03c6\u03bf\u03b9\u03c4\u03bf\u03c5-1-768x930-1-10x12.jpg 10w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/prsk-\u03c6\u03bf\u03b9\u03c4\u03bf\u03c5-1-768x930-1-500x605.jpg 500w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/prsk-\u03c6\u03bf\u03b9\u03c4\u03bf\u03c5-1-768x930-1.jpg 768w\" sizes=\"(max-width: 248px) 100vw, 248px\" \/>\n                            <\/div>\n                    <\/div><div class=\"eael-entry-wrapper\"><header class=\"eael-entry-header\"><h2 class=\"eael-entry-title\"><a class=\"eael-grid-post-link\" href=\"https:\/\/foitou.com\/fr\/text-by-curator-louisa-karapidaki-on-the-exhibition-entitled-from-body-to-body\/\" title=\"Texte de la curatrice Louisa Karapidaki sur l&#039;exposition intitul\u00e9e De corps \u00e0 corps\">Texte de la curatrice Louisa Karapidaki sur l'exposition intitul\u00e9e De corps \u00e0 corps<\/a><\/h2><\/header><div class=\"eael-entry-content\">\n                                <div class=\"eael-grid-post-excerpt\"><p>Text by curator Louisa Karapidaki on the exhibition entitled From...<\/p><a href=\"https:\/\/foitou.com\/fr\/text-by-curator-louisa-karapidaki-on-the-exhibition-entitled-from-body-to-body\/\" class=\"eael-post-elements-readmore-btn\">Read More<\/a><\/div>\n                            <\/div><div class=\"eael-entry-header-after style-two\"><div class=\"eael-entry-meta\"><span class=\"eael-meta-posted-on\"><i class=\"far fa-clock\"><\/i><time datetime=\"juillet 16, 2026\">juillet 16, 2026<\/time><\/span><\/div><\/div><\/div><\/div>\n    <\/div>\n<\/article><article class=\"eael-grid-post  eael-post-grid-column eael-pg-post-862 category-blog\" data-id=\"862\">\n    <div class=\"eael-grid-post-holder\">\n        <div class=\"eael-grid-post-holder-inner\"><div class=\"eael-entry-media\"><div class=\"eael-entry-overlay fade-in\"><i class=\"fas fa-long-arrow-alt-right\" aria-hidden=\"true\"><\/i><a href=\"https:\/\/foitou.com\/fr\/interview-with-anna-pachi-of-iart-gr-on-the-occasion-of-the-exhibition-from-body-to-body\/\"><\/a><\/div><div class=\"eael-entry-thumbnail\">\n                            <img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"167\" src=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/foitou4-300x167.jpg\" class=\"attachment-medium size-medium wp-image-864\" alt=\"\" srcset=\"https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/foitou4-300x167.jpg 300w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/foitou4-768x427.jpg 768w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/foitou4-18x10.jpg 18w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/foitou4-500x278.jpg 500w, https:\/\/foitou.com\/wp-content\/uploads\/2026\/07\/foitou4.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n                            <\/div>\n                    <\/div><div class=\"eael-entry-wrapper\"><header class=\"eael-entry-header\"><h2 class=\"eael-entry-title\"><a class=\"eael-grid-post-link\" href=\"https:\/\/foitou.com\/fr\/interview-with-anna-pachi-of-iart-gr-on-the-occasion-of-the-exhibition-from-body-to-body\/\" title=\"Entretien avec Anna Pachi d&#039;iart.gr \u00e0 l&#039;occasion de l&#039;exposition De corps en corps\">Entretien avec Anna Pachi d'iart.gr \u00e0 l'occasion de l'exposition De corps en corps<\/a><\/h2><\/header><div class=\"eael-entry-content\">\n                                <div class=\"eael-grid-post-excerpt\"><p>PRESS &#038; INTERVIEW &mdash; IART.GR ART IS A BALM Interview...<\/p><a href=\"https:\/\/foitou.com\/fr\/interview-with-anna-pachi-of-iart-gr-on-the-occasion-of-the-exhibition-from-body-to-body\/\" class=\"eael-post-elements-readmore-btn\">Read More<\/a><\/div>\n                            <\/div><div class=\"eael-entry-header-after style-two\"><div class=\"eael-entry-meta\"><span class=\"eael-meta-posted-on\"><i class=\"far fa-clock\"><\/i><time datetime=\"juillet 16, 2026\">juillet 16, 2026<\/time><\/span><\/div><\/div><\/div><\/div>\n    <\/div>\n<\/article><\/div>\n            <div class=\"clearfix\"><\/div>\n        <\/div>            <div class=\"eael-load-more-button-wrap eael-force-hide\">\n                <button class=\"eael-load-more-button\" id=\"eael-load-more-btn-4786b95a\" data-widget-id=\"4786b95a\" data-widget=\"4786b95a\" data-page-id=\"868\" data-template=\"{&quot;dir&quot;:&quot;lite&quot;,&quot;file_name&quot;:&quot;two.php&quot;,&quot;name&quot;:&quot;Post-Grid&quot;}\" data-class=\"Essential_Addons_Elementor\\Elements\\Post_Grid\" data-layout=\"masonry\" data-page=\"1\" data-args=\"orderby=date&amp;order=desc&amp;ignore_sticky_posts=1&amp;post_status=publish&amp;posts_per_page=4&amp;offset=0&amp;post_type=post\" data-max-page=\"4\">\n                    <span class=\"eael-btn-loader button__loader\"><\/span>\n                    <span class=\"eael_load_more_text\">Load More<\/span>\n                <\/button>\n            <\/div>\n            \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Text by curator Louisa Karapidaki on the exhibition entitled From body to body February 20, 2018 Christina Foitou, focusing on the psyche of the woman, transfers to the canvas the entire female emotional world. With her intense expressionist writing she sketches emotions, sorrows and pains, anxieties and expectations, joys and pleasures, thus composing the temperament [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_templately_pack_id":"","_templately_imported_at":"","_templately_source":"","_templately_import_session_id":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[7],"tags":[],"class_list":["post-868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/posts\/868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/comments?post=868"}],"version-history":[{"count":4,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/posts\/868\/revisions"}],"predecessor-version":[{"id":874,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/posts\/868\/revisions\/874"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/media\/869"}],"wp:attachment":[{"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/media?parent=868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/categories?post=868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foitou.com\/fr\/wp-json\/wp\/v2\/tags?post=868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}